Cell

I came home last night expecting to find a package at my front door containing the new Stephen King book Under the Dome. Now I think I'm going to have to request Amazon not leave new King books outside as their heft could easily be used by a burglar to knock my door of its hinges; even after his alleged 'retirement', King is still pumping out thousand page books. I love him for it, but man, I had to start a second To Read pile on my desk out of fear the first one would topple over with the added girth of this new behemoth and kill a cat.

But with a new King book comes new King happenings and the author was recently on hand for an Under the Dome signing in MD, which resulted in three juicy nuggets of info winding up on Lilja's Library. First up, when asked if his new novel about a small town in Maine that finds itself trapped within its city limits by a forcefield would be made into a movie, King said no, but that HBO was planning on turning it into a miniseries. Unfortunately there are no details beyond that.

He did however mention that he will be writing a new Dark Tower novel that will follow a few of his series' supporting players somewhere between the events of books 5 and 6. King, however, won't even begin writing the new entry, titled The Wind Through the Key Hole, for another eight months, so if you haven't read The Dark Tower, you've still got time to catch up.

The third major bit of news concerns the Talisman. King confirmed that the recent film adaptation attempt has died, but that Peter Straub and he are definitely teaming up together for a third Talisman novel. Some minor news beyond that, such as where the TV adaptation of Cell stands, slipped out as well, so click on to watch the full Q&A session.

(Old-school reprint from Cinematical. Happy Halloween!)


Wow, this is going to be hard for two reasons. On one hand I'll find it tough to rank my very favorite Stephen King movies because the ones I love ... I really love. On the other hand there's been a whole LOT of rotten King flicks churned out over the years -- and I actually like some of those, too! But as a lifelong King kook I think I'm able to separate the wheat from the chaff -- even if, yes it's true, I actually sort of enjoyed Tobe Hooper's The Mangler. (It's just so enjoyably stupid!) So with that I bring you my own personal picks for the best Stephen King adaptations yet (not counting TV shows, mini-series or short films).

Christine (1983) -- Yes, the book is better and sure, a few important things were monkeyed with on the way from page to screen, but there's so much I do like about John Carpenter's adaptation that it makes the speed bumps a lot easier to handle. From the filmmaker's creepy score to an excellent lead performance by Keith Gordon, the flick's just got an admirably bad-ass attitude. Stripped down to its essence, Christine is not much more than another "geek fights back" revenge-centric horror flick, but Carpenter makes the movie his own with a solid production design, a few excellent set pieces and a pace that moves at an appreciable clip. Plus that car is just so damn cool.

Pet Sematary (1989) -- Just about every hardcore horror geek I know holds Pet Sematary in pretty high regard, and just one visit with this bleak and unflinching piece of pulp horror will explain why. It's a remarkably grim and unapologetic tale of dead cats, cute kids and a patch of land that, well, it resurrects dead tissue is what it does. And if you've read even one "back from the dead" story, then you know they never end well. (Pet Sematary, both the book and the movie, packs one doozy of a dark denouement.) OK, so maybe Dale Midkiff and Denise Crosby aren't exactly the rock-solid thespians you'd want for a screenplay this devilishly mean-spirited, but the pair do what they can, plus they've got good ol' Fred Gwynne supplying background color by the bucketful. (And don't forget about poor sickly Zelda! Yuck.)

Carrie (1976) -- The very first (and arguably one of the very best) of the Stephen King movies, Carrie hit the screens courtesy of a young Brian De Palma, and the director pulled out a big bag of Hitchcockian tricks to bring the story to the silver screen. It's about a socially bankrupt young girl who tries to cobble together a normal social life ... much to the chagrin of some snotty she-bullies and a resoundingly devout lunatic of a mother. Some might say the flick takes a long while to get where it's going, but between the prom night finale and the graveside stinger, Carrie more than delivers its share of grisly goods. Sissy Spacek and Piper Laurie make it watchable all by themselves, but De Palma is the real star here. (OK, De Palma and a young, evil John Travolta.)

Fangoria got out word today from the Fantasia Film Festival that Stephen King's Cell is no longer destined for the silver screen. Instead the novel will be reborn as a four hour TV mini-series to be scripted by John Harrison. Details are rather sparse at this stage, but Harrison tells Fango his take on the material will be closer to a classic creeper like Village of the Damned (I hope Harrison is referring to the original and not the languid John Carpenter remake) than an all out zombie movie.

If you recall Eli Roth was long attached to a film adaptation of King's novel about a cell phone pulse that scrambles the inner workings of any poor sap that hears it, converting them instantly into a murderous member of a new society. When Hostel: Part II didn't turn out too hot at the box office, his directorial duties looked in jeopardy, though he remained attached until quite recently. There's no word yet on who will be taking over his role behind the camera, though screenwriter Harrison, who is at Fantasia for their premiere of his work on the film adaptation of Clive Barker's Book of Blood, confesses he'd be interested in taking the reins. It's up to The Weinstein Company, who is still producing the adaptation, to make that call.

April 07 reprint!

Wow, this is going to be hard for two reasons. On one hand I'll find it tough to rank my very favorite Stephen King movies because the ones I love ... I really love. On the other hand there's been a whole LOT of rotten King flicks churned out over the years -- and I actually like some of those, too! But as a lifelong King kook I think I'm able to separate the wheat from the chaff -- even if, yes it's true, I actually sort of enjoyed Tobe Hooper's The Mangler. (It's just so enjoyably stupid!) So with that I bring you my own personal picks for the best Stephen King adaptations yet (not counting TV shows, mini-series or short films).

Christine (1983) -- Yes, the book is better and sure, a few important things were monkeyed with on the way from page to screen, but there's so much I do like about John Carpenter's adaptation that it makes the speed bumps a lot easier to handle. From the filmmaker's creepy score to an excellent lead performance by Keith Gordon, the flick's just got an admirably bad-ass attitude. Stripped down to its essence, Christine is not much more than another "geek fights back" revenge-centric horror flick, but Carpenter makes the movie his own with a solid production design, a few excellent set pieces and a pace that moves at an appreciable clip. Plus that car is just so damn cool.

Pet Sematary (1989) -- Just about every hardcore horror geek I know holds Pet Sematary in pretty high regard, and just one visit with this bleak and unflinching piece of pulp horror will explain why. It's a remarkably grim and unapologetic tale of dead cats, cute kids and a patch of land that, well, it resurrects dead tissue is what it does. And if you've read even one "back from the dead" story, then you know they never end well. (Pet Sematary, both the book and the movie, packs one doozy of a dark denouement.) OK, so maybe Dale Midkiff and Denise Crosby aren't exactly the rock-solid thespians you'd want for a screenplay this devilishly mean-spirited, but the pair do what they can, plus they've got good ol' Fred Gwynne supplying background color by the bucketful. (And don't forget about poor sickly Zelda! Yuck.)

Carrie (1976) -- The very first (and arguably one of the very best) of the Stephen King movies, Carrie hit the screens courtesy of a young Brian De Palma, and the director pulled out a big bag of Hitchcockian tricks to bring the story to the silver screen. It's about a socially bankrupt young girl who tries to cobble together a normal social life ... much to the chagrin of some snotty she-bullies and a resoundingly devout lunatic of a mother. Some might say the flick takes a long while to get where it's going, but between the prom night finale and the graveside stinger, Carrie more than delivers its share of grisly goods. Sissy Spacek and Piper Laurie make it watchable all by themselves, but De Palma is the real star here. (OK, De Palma and a young, evil John Travolta.)