deadgirl

I really have nothing to say about Deadgirl other than the movie is vile and why anyone thought a film that features incredibly graphic and extended sequences of rape would be a good idea is beyond me. While rape scenes are no stranger to horror or thrillers (Irreversible anyone?), this film centered on the subject, and for that it draws my ire.

For a quick recap: two boys, Rickie and J.T., find a girl tied up in an abandoned mental hospital. Instead of getting help, J.T. rapes her. Repeatedly. Then he gets his friends to rape her. Then more people. Repeat ad nauseam. Literally.

Despite this, it does lend itself perfectly to our series of Fates Worse Than Death, as it contains not one but two different instances of death envy. Spoilers within. You have been warned.

By Eugene Novikov

Jennifer's Body is getting panned in some circles for the alleged tragic flaw of a horror movie not being particularly scary. They're mostly right -- Diablo Cody's genre follow-up to Juno doesn't really elevate the heart rate very often. But I think that's because it tips to the "high school" side of the "high school horror" balance; it's more of a teen drama with a bloody metaphorical twist than a full-on horror flick.

That may disappoint some fans, but it sort of gets at why high school horror movies work so well, so often. It's a cliche that "high school is scary," but movies that make a connection between the reasons high school is scary in real life and whatever monstrosity happens to be stalking or haunting the characters are the ones that tend to leave the biggest impression.

In honor of Jennifer's Body, which I think will be unjustly maligned in the weeks to come, here's a list of some high school horror movies that figured this out -- and a few that were just plain fun.

1. Ginger Snaps - The movie's IMDb plot summary helpfully begins: "This film uses werewolfism as a metaphor for puberty." Well, yeah -- though it is generally considered polite not to lead with something like that. (Sorry.) But it's not all allegorical navel-gazing. Ginger Snaps is an elegant, harsh piece of teen horror that brutally plays on teenage insecurities, and is a pretty good werewolf flick too. It's a shame that director John Fawcett largely disappeared into the (better-paying, I hear) abyss of television.

Read the rest at Cinematical!

I've gotten behind on my usually-faithful upkeep of a monthly DVD guide, so when Weinberg sent a long a list of all the titles hitting shelves today, I was a little overwhelmed. My wallet has been taking a pounding lately, and this new crop of catalog films newly minted for Blu-ray is certainly not going to let up on the beat down.

Best of the New Releases: Grace, "Fear Itself"
Paul Solet's pregnancy horror film Grace has already been covered here and there on HorrorSquad, but I'll re-cap: I don't like it, Weinberg loves it, and Goss likes it, but doesn't love it. The Blu-ray has been available for the past few weeks exclusively at Best Buy, but today marks the expansion of the both the Grace Blu and DVD flavors to all fine retailers.

The other noteworthy title of the week is the release of NBC's "Masters of Horror" spin-off, "Fear Itself". I haven't seen all of the episodes in the set, mainly because NBC didn't air them all, but it's like all other horror anthology shows. Some episodes work, most don't. I've got a soft-spot for anthologies, though, so this is a rental queue jumper for me.

After a long flight on my part and a far longer drive for both of us, Scott Weinberg and I have finally arrived in Montréal for the FanTasia International Film Festival (their thirteenth, our first). The genre-heavy festival lasts for nearly three weeks; alas, we've but one to spare, so without much further ado, here's a look at what I've seen already and what I hope to see before Scott tips his own hand with a title or two to recommend.

Of the features playing, I can highly recommend Michael Paul Stephenson's Troll 2 doc, Best Worst Movie; the Aussie revenge thriller, The Horseman (not to be confused with the barely-seen Dennis Quaid vehicle,Horsemen); and Paul Solet's beautifully bloody baby horror, Grace. Those looking for something a bit stranger might end up being a bit more fond of Black and The Immaculate Conception of Little Dizzle than I was, though I also seemed more easily pleased by the Nazi zombies of Dead Snow than most, so I guess it all balances out. My enthusiasm for the ultra-kitschy likes of Alien Trespass and Lesbian Vampire Killers, not to mention the admittedly boundary-pushing Deadgirl, is all a bit less than what's already been mentioned, so let's just leave those at that.